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    Mic’d Up: Bert Kreischer gets the party going at Hanover Theatre

    Mic’d Up: Maria Palombi breaks the language barrier with laughs

    John Mulaney makes good on his promise to return to Portland

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    I Play Rocky

    ‘I Play Rocky’ Review: Anthony Ippolito goes the distance

    How to Rob a Bank

    ‘How to Rob a Bank’ Review: How not to make a movie

    Paper Tiger

    ‘Paper Tiger’ Review: Real roots neo-noir from James Gray

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SXSW

Film/TV
The Day Shall Come

SXSW Review: Chris Morris’ ‘The Day Shall Come’ was worth the nine-year wait

Film/TV
Snatchers

SXSW Review: ‘Snatchers’ offers a horror-comedy take on teen pregnancy

Film/TV
Daniel Isn't Real

SXSW Review: ‘Daniel Isn’t Real’ is a solid film with a terrible ending

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SXSW Review: ‘Boyz in the Wood’ shows the darker Scottish Highlands

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SXSW Review: ‘The Beach Bum’ is hilarious and unexpectedly moving

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SXSW Review: ‘Booksmart’ is a solid debut for director Olivia Wilde

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Villains

SXSW Review: ‘Villains’ continues Maika Monroe’s ascendance to genre superstardom

Film/TV
Good Boys

SXSW Review: ‘Good Boys’ is a raunchy comedy with a lot of heart

Film/TV

SXSW Review: ‘Girl on the Third Floor’ gives CM Punk a strong role

Film/TV

SXSW Review: ‘The Highwaymen’ would have been behind the times in 1968

Film/TV

SXSW Review: Jesse Eisenberg heads to the dojo in ‘The Art of Self-Defense’

Film/TV

SXSW Review: ‘Them That Follow’ is a snake-handling snooze-fest

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