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Mic’d Up: Bert Kreischer gets the party going at Hanover Theatre
Mic’d Up: Maria Palombi breaks the language barrier with laughs
John Mulaney makes good on his promise to return to Portland
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‘I Play Rocky’ Review: Anthony Ippolito goes the distance
‘How to Rob a Bank’ Review: How not to make a movie
‘Paper Tiger’ Review: Real roots neo-noir from James Gray
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SXSW Review: Chris Morris’ ‘The Day Shall Come’ was worth the nine-year wait
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SXSW Review: ‘Snatchers’ offers a horror-comedy take on teen pregnancy
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SXSW Review: ‘Daniel Isn’t Real’ is a solid film with a terrible ending
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SXSW Review: ‘Boyz in the Wood’ shows the darker Scottish Highlands
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SXSW Review: ‘The Beach Bum’ is hilarious and unexpectedly moving
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SXSW Review: ‘Booksmart’ is a solid debut for director Olivia Wilde
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SXSW Review: ‘Villains’ continues Maika Monroe’s ascendance to genre superstardom
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SXSW Review: ‘Good Boys’ is a raunchy comedy with a lot of heart
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SXSW Review: ‘Girl on the Third Floor’ gives CM Punk a strong role
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SXSW Review: ‘The Highwaymen’ would have been behind the times in 1968
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SXSW Review: Jesse Eisenberg heads to the dojo in ‘The Art of Self-Defense’
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SXSW Review: ‘Them That Follow’ is a snake-handling snooze-fest
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