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Mic’d Up: Bert Kreischer gets the party going at Hanover Theatre
Mic’d Up: Maria Palombi breaks the language barrier with laughs
John Mulaney makes good on his promise to return to Portland
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‘I Play Rocky’ Review: Anthony Ippolito goes the distance
‘How to Rob a Bank’ Review: How not to make a movie
‘Paper Tiger’ Review: Real roots neo-noir from James Gray
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SXSW Review: ‘Us’ is another stunner from Jordan Peele
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‘I Am Richard Pryor’ documentary gets an official release date
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Rooney get busy, reveal 2018 dates for ‘A Cosmic Interlude Tour’
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‘Upgrade’ and ‘Perfect’ offer competing visions of an augmented future
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‘Ready Player One’ SXSW Review: Spielberg proves us wrong, once again
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‘A Quiet Place’ SXSW Review: A thunderous debut for John Krasinski
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Five films we can’t wait to see at SXSW 2019
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Trishes harnesses the power of a ‘Hydra’ for her creative resistance
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Julia Hart’s ‘Fast Color’ is a beautiful take on a superheroic family
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‘The Legacy of a Whitetail Deer Hunter’ SXSW Review: Deer God, more like this please
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‘Unfriended: Dark Web’ SXSW Review: Blumhouse proves lightning strikes twice
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SXSW 2018 Preview: Five new films we’re eager to catch in Austin
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