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Pete Davidson officially sets up a date with The Wilbur
Mic’d Up: Laugh’s 10th birthday, Esther Povitsky, Patton Oswalt, Bill Burr
V3 Weekend: Jawbreaker, Aparna Nancherla, ‘The Fugitive’
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Todd Haynes’ ‘May December’ gets a wonderfully melodramatic trailer
TIFF 2023: ‘The Holdovers’ will win over Alexander Payne haters
TIFF 2023: Miyazaki’s ‘The Boy and the Heron’ is, unsurprisingly, a masterpiece
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Far Caspian stirs up a lively slice of indie with ‘Arbitrary Task’
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SXSW 2022: ‘2nd Chance’ isn’t totally bulletproof
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SXSW 2022: Nick Cave wows in ‘This Much I Know to Be True’
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‘The Sparks Brothers’ Review: An A+ rock doc from Edgar Wright
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SXSW 2021: ‘The Spine of Night’ is fuckin’ metal, dude
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SXSW 2021: Dive into folk horror with ‘Woodlands Dark and Days Bewitched’
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Ron Gallo welcomes the end of days with ‘At Least I’m Dancing’
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SXSW 2022: ‘I Get Knocked Down’ tries to get it up again
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SXSW 2022 Review: Patton Oswalt rules in ‘I Love My Dad’
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Watch Sinead O’Brien’s captivating showcase at SXSW 2021
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SXSW 2021: ‘Alone Together’ documents Charli XCX’s quarantine
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SXSW 2021: ‘The Sparks Brothers’ is an A+ rock doc
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