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Adam Conover’s ‘Nihilism Pivot’ is proving to be a fun, freeing time
Kelsey Cook just wants to keep building and grinding in her new era
Mic’d Up: Mike Birbiglia stops the ride in Northampton
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V3 Weekend: Foster The People, Nikki Glaser, ‘The Fall’
‘The Monkey’ Review: Osgood Perkins, entertainer
A24 and the ‘Talk to Me’ guys present the ‘Bring Her Back’ trailer
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Urban Heat glide along the coast of confidence with ‘You’ve Got That Edge’
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Editors shine a strobe across an ‘EBM’ dance floor with the fevered ‘Kiss’
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Band in the USA: Molchat Doma unveil New Wave Sadness world tour
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Bootblacks take a dark spin through our own personal ‘Nostalgia Void’
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True Faith merge patience and persistence on the extraordinary ‘Feel’
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Pilgrims of Yearning confront xenophobia from a Latinx perspective
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Drab Majesty acquiesce to the march of time on ‘The Skin and the Glove’
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Band in the USA: Boy Harsher take ‘The Runner’ out for a summer jaunt
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Bootblacks color the world in vivid grayscale with new LP ‘Thin Skies’
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House of Harm’s moody melodies push forward on ‘Behind You’
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Arswain dances under dark synth shadows with ‘Pleasure’
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It’s a cruel world, but there will be no Cruel World festival in 2020
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