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Mic’d Up: Taylor Tomlinson saves the best for her return to Boston
V3 Weekend: Thievery Corporation, Zachariah Porter, Mahoning Drive-In Road Show
Zachariah Porter honors his hometown, one character at a time
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Film/TV
‘Last Breath’ Review: An airtight story of a miracle at sea
V3 Weekend: Thievery Corporation, Zachariah Porter, Mahoning Drive-In Road Show
Crash into A24’s new ‘Death of a Unicorn’ trailer
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SXSW 2021
Film/TV
‘The Spine of Night’ Review: This animated fantasy is fuckin’ metal, dude
Film/TV
‘The Sparks Brothers’ Review: An A+ rock doc from Edgar Wright
Film/TV
SXSW 2021: ‘Alone Together’ documents Charli XCX’s quarantine
Film/TV
SXSW 2021: ‘The Sparks Brothers’ is an A+ rock doc
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SXSW 2021: The ‘WeWork’ doc follows a unicorn’s collapse
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SXSW 2021: Andrea Riseborough amazes in ‘Here Before’
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Get hijacked by the ‘Broadcast Signal Intrusion’ trailer
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SXSW 2021: ‘The Spine of Night’ is fuckin’ metal, dude
Film/TV
SXSW 2021: Dive into folk horror with ‘Woodlands Dark and Days Bewitched’
Film/TV
SXSW 2021: ‘Jakob’s Wife’ is a bloodsucking delight
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SXSW 2021: Welsh horror ‘The Feast’ is all empty calories
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SXSW 2021: Green horror ‘Gaia’ doesn’t add up to much
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