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Mic’d Up: Sean Patton goofs around, finds out in Somerville
Conan O’Brien awarded the Mark Twain Prize for American Humor
V3 Weekend: The Elovaters, Tracy Morgan, Gaspar Noé’s ‘Climax’
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‘Wolf Man’ Review: Rough, rough
V3 Weekend: The Elovaters, Tracy Morgan, Gaspar Noé’s ‘Climax’
RIP: David Lynch, cinematic legend, has died at 78
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SXSW 2019
Film/TV
Watch the trailer for Chris Morris’ great ‘The Day Shall Come’
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SXSW Review: ‘Tone-Deaf’ wastes a fun Robert Patrick performance
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SXSW Review: ‘Villains’ continues Maika Monroe’s ascendance to genre superstardom
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SXSW Review: ‘Daniel Isn’t Real’ is a solid film with a terrible ending
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SXSW Review: ‘Boyz in the Wood’ shows the darker Scottish Highlands
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SXSW Review: ‘The Beach Bum’ is hilarious and unexpectedly moving
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‘The Beach Bum’ Review: A hilarious and unexpectedly moving film
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SXSW Review: Chris Morris’ ‘The Day Shall Come’ was worth the nine-year wait
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SXSW Review: ‘Snatchers’ offers a horror-comedy take on teen pregnancy
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SXSW Review: ‘Girl on the Third Floor’ gives CM Punk a strong role
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SXSW Review: ‘The Highwaymen’ would have been behind the times in 1968
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SXSW Review: Jesse Eisenberg heads to the dojo in ‘The Art of Self-Defense’
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