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V3 Weekend: Stereo MC’s, Sarah Silverman, ‘Revenge’
Mic’d Up: Sarah Silverman brings a lively new hour to the area
Caleb Hearon brings the spirit of ‘So True’ to life at The Wilbur
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Sundance 2025: ‘SLY LIVES!’ thanks Sly Stone for being himself
Sundance 2025: Paul Reubens takes a bow in ‘Pee-wee as Himself’
V3 Weekend: Stereo MC’s, Sarah Silverman, ‘Revenge’
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TIFF 2021
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Feast on the frightening trailer for ‘A Banquet’
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TIFF 2021 Review: ‘Silent Night’ puts the ‘typic’ back in ‘apocalyptic comedy’
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TIFF 2021 Review: An excellent Tim Roth endures ‘Sundown’
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TIFF 2021 Review: ‘Listening to Kenny G’ has sympathy for smooth jazz
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TIFF 2021 Review: ‘Encounter’ is a missed connection
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TIFF 2021 Review: Antoine Fuqua’s ‘The Guilty’ is a solid remake
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The ‘Silent Night’ trailer is here to spoil Christmas
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TIFF 2021 Review: ‘Petite Maman’ is beautiful, artificial
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TIFF 2021 Review: ‘Zalava’ is a swell Iranian exorcism thriller
Film/TV
TIFF 2021 Review: Rob Savage’s ‘DASHCAM’ is bugnuts crazy
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TIFF 2021 Review: ‘The Electrical Life of Louis Wain’ fails to shock
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TIFF 2021 Review: ‘Mothering Sunday’ brings the explicit back to the period piece
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