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Mic’d Up: Taylor Tomlinson saves the best for her return to Boston
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Zachariah Porter honors his hometown, one character at a time
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Crash into A24’s new ‘Death of a Unicorn’ trailer
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TIFF 2021
Film/TV
Feast on the frightening trailer for ‘A Banquet’
Film/TV
TIFF 2021 Review: ‘Silent Night’ puts the ‘typic’ back in ‘apocalyptic comedy’
Film/TV
TIFF 2021 Review: An excellent Tim Roth endures ‘Sundown’
Film/TV
TIFF 2021 Review: ‘Listening to Kenny G’ has sympathy for smooth jazz
Film/TV
TIFF 2021 Review: ‘Encounter’ is a missed connection
Film/TV
TIFF 2021 Review: Antoine Fuqua’s ‘The Guilty’ is a solid remake
Film/TV
The ‘Silent Night’ trailer is here to spoil Christmas
Film/TV
TIFF 2021 Review: ‘Petite Maman’ is beautiful, artificial
Film/TV
TIFF 2021 Review: ‘Zalava’ is a swell Iranian exorcism thriller
Film/TV
TIFF 2021 Review: Rob Savage’s ‘DASHCAM’ is bugnuts crazy
Film/TV
TIFF 2021 Review: ‘The Electrical Life of Louis Wain’ fails to shock
Film/TV
TIFF 2021 Review: ‘Mothering Sunday’ brings the explicit back to the period piece
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