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This Show Is Tonight: Whitney Cummings flaunts ‘Big Baby’ energy
V3 Weekend: Letters To Cleo, Annie Lederman, ‘Paris, Texas’
W. Kamau Bell calls for a gathering of the minds at The Wilbur
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‘Gladiator II’ Review: Denzel came, saw, and conquered this sequel
‘Wicked’ Review: Well, the fans are gonna love it
V3 Weekend: Letters To Cleo, Annie Lederman, ‘Paris, Texas’
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TIFF 2021
Film/TV
Feast on the frightening trailer for ‘A Banquet’
Film/TV
TIFF 2021 Review: ‘Silent Night’ puts the ‘typic’ back in ‘apocalyptic comedy’
Film/TV
TIFF 2021 Review: An excellent Tim Roth endures ‘Sundown’
Film/TV
TIFF 2021 Review: ‘Listening to Kenny G’ has sympathy for smooth jazz
Film/TV
TIFF 2021 Review: ‘Encounter’ is a missed connection
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TIFF 2021 Review: Antoine Fuqua’s ‘The Guilty’ is a solid remake
Film/TV
The ‘Silent Night’ trailer is here to spoil Christmas
Film/TV
TIFF 2021 Review: ‘Petite Maman’ is beautiful, artificial
Film/TV
TIFF 2021 Review: ‘Zalava’ is a swell Iranian exorcism thriller
Film/TV
TIFF 2021 Review: Rob Savage’s ‘DASHCAM’ is bugnuts crazy
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TIFF 2021 Review: ‘The Electrical Life of Louis Wain’ fails to shock
Film/TV
TIFF 2021 Review: ‘Mothering Sunday’ brings the explicit back to the period piece
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