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Mic’d Up: Robert Kelly, Anthony Jeslenik, Drew Lynch
The ReVue Stage: Alex Edelman’s ‘Just For Us’ hits hard in the best ways
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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Who watches ‘The Watchers’ trailer? You, hopefully
The new f***ing ‘Deadpool and Wolverine’ trailer is here
‘Abigail’ Review: Pirouettes and chewed-up necks
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TIFF 2021
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Feast on the frightening trailer for ‘A Banquet’
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Melissa McCarthy has a fowl conflict in ‘The Starling’ trailer
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The ‘Silent Night’ trailer is here to spoil Christmas
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TIFF 2021 Review: ‘Listening to Kenny G’ has sympathy for smooth jazz
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TIFF 2021 Review: ‘Petite Maman’ is beautiful, artificial
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TIFF 2021 Review: ‘The Electrical Life of Louis Wain’ fails to shock
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Jake Gyllenhaal stays on the line in ‘The Guilty’ trailer
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Mount up for the trailer for Jane Campion’s ‘Power of the Dog’
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TIFF 2021 Review: ‘Encounter’ is a missed connection
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TIFF 2021 Review: ‘Mothering Sunday’ brings the explicit back to the period piece
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TIFF 2021 Review: ‘Silent Night’ puts the ‘typic’ back in ‘apocalyptic comedy’
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TIFF 2021 Review: ‘Zalava’ is a swell Iranian exorcism thriller
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