May 28, 2022
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Chris Tucker is in no rush with new hour at The Wilbur
Mic’d Up: Solid Sound’s comedy boom, Notaro makes good at UMass
Interview: Judd Apatow on realizing ‘George Carlin’s American Dream’
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Film/TV
‘Top Gun: Maverick’ Review: Tony Scott would be proud
It’s Gosling vs. Evans in the ‘Gray Man’ trailer
Thor(s) meet Gorr in the latest ‘Love and Thunder’ trailer
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TIFF
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TIFF 2021 Review: ‘Silent Night’ puts the ‘typic’ back in ‘apocalyptic comedy’
Film/TV
TIFF 2021 Review: An excellent Tim Roth endures ‘Sundown’
Film/TV
TIFF 2021 Review: ‘Listening to Kenny G’ has sympathy for smooth jazz
Film/TV
TIFF 2021 Review: ‘Encounter’ is a missed connection
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TIFF 2021 Review: Antoine Fuqua’s ‘The Guilty’ is a solid remake
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‘Good Joe Bell’ Review: Pure Dad Energy undone by narrative trickery
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TIFF 2021 Review: ‘Petite Maman’ is beautiful, artificial
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TIFF 2021 Review: ‘Zalava’ is a swell Iranian exorcism thriller
Film/TV
TIFF 2021 Review: Rob Savage’s ‘DASHCAM’ is bugnuts crazy
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TIFF 2021 Review: ‘The Electrical Life of Louis Wain’ fails to shock
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TIFF 2021 Review: ‘Mothering Sunday’ brings the explicit back to the period piece
Film/TV
‘Concrete Cowboy’ Review: Idris Elba rides on as an urban horseman
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