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Mic’d Up: Valerie Tosi brings it back home for a bitchin’ good time
V3 Weekend: Bishop Briggs, Nathaniel Rateliff, ‘Female Perversions’
Pete Holmes offers something for the whole family at The Wilbur
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CinemaCon 2025: Forget ‘Spider-Men,’ Sony’s betting on ‘Beatles’
‘Death of a Unicorn’ Review: Gallop away from this one
V3 Weekend: Bishop Briggs, Nathaniel Rateliff, ‘Female Perversions’
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MØ tackles an endless to-do list with the emphatic ‘Keep Møving’
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Belot is rolling into ‘V.I.P’ with another slice of awkward-pop
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Kavinsky reaches for another cinematic electronic-pop peak on ‘Zenith’
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ADULT. rally around the toilet on new single ‘Fools (We Are…)’
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NTO visualizes loneliness and feeling unseen in the brilliant ‘Invisible’
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Kat Koan’s kiss-off electro jam ‘Silly Me’ is the anthem we need for 2020
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The Bloody Beetroots and Bob Vylan join the ‘Killing Punk’ assault
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Haiku Hands drop a beat for all our nightlife moods with ‘Nunchucka’
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COUCOU CHLOE seduces and sedates on the driving ‘WIZZ’
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Keonte drops an ‘Automatic’ beat for the middle-aged millennial
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Jamie Foxx’s Electro will return in the next Spider-Man film, apparently
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Uffie charges it to the game of life on ‘Sadmoney’
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