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Mic’d Up: Robert Kelly, Anthony Jeslenik, Drew Lynch
The ReVue Stage: Alex Edelman’s ‘Just For Us’ hits hard in the best ways
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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Film/TV
Who watches ‘The Watchers’ trailer? You, hopefully
The new f***ing ‘Deadpool and Wolverine’ trailer is here
‘Abigail’ Review: Pirouettes and chewed-up necks
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The Prodigy get combative on new single ‘Light Up The Sky’
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NTO visualizes loneliness and feeling unseen in the brilliant ‘Invisible’
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Kat Koan’s kiss-off electro jam ‘Silly Me’ is the anthem we need for 2020
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Kavinsky reaches for another cinematic electronic-pop peak on ‘Zenith’
National News
Not In Love: Alice Glass leaves Crystal Castles, announces solo career
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Premiere: Nick Minieri of Zakim drops Boston producer dance mix ‘Hometown II’
Boston News
[in my head] Case & Point featuring Lara Woolf, “Alive”
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Haiku Hands drop a beat for all our nightlife moods with ‘Nunchucka’
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Belot is rolling into ‘V.I.P’ with another slice of awkward-pop
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Freak ‘Nasty’: Listen to the Prodigy return with their first new single since 2009
National News
D.A.N.C.E. Part Deux: Justice return with first single in five years, ‘Safe And Sound’
Boston News
Snapshot-Pop: Listen to the electro-bangin’ new SPF 5000 EP, ‘Take My Picture’
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