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TIFF

TIFF

TIFF 2022: Five films we’re excited about at this year’s festival

Petite Maman

TIFF 2021 Review: ‘Petite Maman’ is beautiful, artificial

Zalava

TIFF 2021 Review: ‘Zalava’ is a swell Iranian exorcism thriller

Dashcam

TIFF 2021 Review: Rob Savage’s ‘DASHCAM’ is bugnuts crazy

Louis Wain

TIFF 2021 Review: ‘The Electrical Life of Louis Wain’ fails to shock

Mothering Sunday

TIFF 2021 Review: ‘Mothering Sunday’ brings the explicit back to the period piece

Silent Night

TIFF 2021 Review: ‘Silent Night’ puts the ‘typic’ back in ‘apocalyptic comedy’

Sundown

TIFF 2021 Review: An excellent Tim Roth endures ‘Sundown’

Kenny G

TIFF 2021 Review: ‘Listening to Kenny G’ has sympathy for smooth jazz

Encounter

TIFF 2021 Review: ‘Encounter’ is a missed connection

The Guilty

TIFF 2021 Review: Antoine Fuqua’s ‘The Guilty’ is a solid remake

‘Good Joe Bell’ Review: Pure Dad Energy undone by narrative trickery

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