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Dan Boulger brings some hometown horsepower to Deep Cuts
Big Jay Oakerson is planning on yapping it up at The Wilbur
Mic’d Up: Ryan Sickler highlights the lowlights at Laugh Boston
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‘The Mandalorian and Grogu’ Review: Salaciously cromulent
‘Tuner’ Review: A heartfelt, very funny little crime drama
Get your space invaded by the ‘Hope’ trailer
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TIFF 2022
Film/TV
TIFF 2022: Jennifer Lawrence returns to form in ‘Causeway’
Film/TV
TIFF 2022: ‘Triangle of Sadness’ spews bile when it hits its third act
Film/TV
TIFF 2022: Mia Goth makes the most of the middling ‘Pearl’
Film/TV
TIFF 2022: Brendan Fraser can only do so much to save ‘The Whale’
Film/TV
TIFF 2022: ‘The Woman King’ can’t break free of convention
Film/TV
Watch the trailer for Elegance Bratton’s A24 drama ‘The Inspection’
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TIFF 2022: ‘Empire of Light’ is gorgeous, charming, and utterly empty
Film/TV
TIFF 2022: ‘Holy Spider’ documents the hunt for an Iranian serial killer
Film/TV
TIFF 2022: ‘Glass Onion’ can’t come close to equaling the glory of ‘Knives Out’
Film/TV
TIFF 2022: ‘The Inspection’ documents homophobia at Boot Camp and at home
Film/TV
TIFF 2022: Five films we’re excited about at this year’s festival
Film/TV
Go back to the Middle Ages with the trailer for Lena Dunham’s ‘Catherine Called Birdy’
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