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This Show Is Tonight: Donnell Rawlings returns to remind us why he’s rich
V3 Weekend: Jamaica Plain Music Festival, Sam Jay, ‘Mad Max’
Trae Crowder is bringing a ‘Liberal Redneck’ resistance to The Wilbur
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V3 Weekend: Jamaica Plain Music Festival, Sam Jay, ‘Mad Max’
TIFF 2024: Five films we can’t wait to see up in Toronto
V3 Weekend: Punk In Drublic Festival, Sean Patton, ‘Cruel Intentions’
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TIFF 2022
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‘The Inspection’ Review: Documenting homophobia at Boot Camp and at home
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It’s an ‘In Bruges’ reunion in the ‘Banshees of Inisherin’ trailer
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TIFF 2022: Brendan Fraser can only do so much to save ‘The Whale’
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‘Triangle of Sadness’ Review: Bile spews when it hits the third act
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TIFF 2022: ‘Banshees of Inishirin’ is McDonagh’s best since ‘Bruges’
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TIFF 2022: ‘The Fabelmans’ is Spielberg’s most personal masterpiece
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TIFF 2022: ‘Empire of Light’ is gorgeous, charming, and utterly empty
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‘The Fabelmans’ Review: Steven Spielberg’s most personal masterpiece
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TIFF 2022: ‘Triangle of Sadness’ spews bile when it hits its third act
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TIFF 2022: ‘The Woman King’ can’t break free of convention
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‘The Blackening’ trailer skewers horror’s oldest tropes
Film/TV
TIFF 2022: ‘Glass Onion’ can’t come close to equaling the glory of ‘Knives Out’
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