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TIFF 2022

Blackening

‘The Blackening’ trailer skewers horror’s oldest tropes

TIFF

‘The Whale’ Review: Brendan Fraser can only do so much

‘Glass Onion’ Review: Nowhere close to equaling the glory of ‘Knives Out’

Catherine Called Birdy

Go back to the Middle Ages with the trailer for Lena Dunham’s ‘Catherine Called Birdy’

Causeway

Jennifer Lawrence goes home in the ‘Causeway’ trailer

Empire

TIFF 2022: ‘Empire of Light’ is gorgeous, charming, and utterly empty

Fabelmans

‘The Fabelmans’ Review: Steven Spielberg’s most personal masterpiece

Triangle

‘Triangle of Sadness’ Review: Bile spews when it hits the third act

The Inspection

‘The Inspection’ Review: Documenting homophobia at Boot Camp and at home

Banshees

It’s an ‘In Bruges’ reunion in the ‘Banshees of Inisherin’ trailer

Banshees

TIFF 2022: ‘Banshees of Inishirin’ is McDonagh’s best since ‘Bruges’

Holy Spider

TIFF 2022: ‘Holy Spider’ documents the hunt for an Iranian serial killer

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