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Adam Conover’s ‘Nihilism Pivot’ is proving to be a fun, freeing time
Kelsey Cook just wants to keep building and grinding in her new era
Mic’d Up: Mike Birbiglia stops the ride in Northampton
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V3 Weekend: Foster The People, Nikki Glaser, ‘The Fall’
‘The Monkey’ Review: Osgood Perkins, entertainer
A24 and the ‘Talk to Me’ guys present the ‘Bring Her Back’ trailer
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synth-pop
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Working Men’s Club make a sharp case for distinction with ‘Circumference’
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Kavinsky reaches for another cinematic electronic-pop peak on ‘Zenith’
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Band in the USA: Korine unveil spring tour around SXSW appearance
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Little Boots sings the quiet part out loud on ‘Crying on the Inside’
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Faun Flora drifts into a dreamlike state on ‘See You At The Funeral’
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This Show Is Tonight: Korine play Brighton Music Hall in Allston
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Tempers find redemption in renewal on the visual for ‘Sightseeing’
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BlakLight shine a synth-pop beat on classics from Sparks and B-Movie
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Tempers reflect a detachment of the lonely city in ‘Nightwalking’
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Tempers cast a spectral synth-pop aura on the shadowy ‘Unfamiliar’
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Moon Kissed urge us to live every night like it’s ‘Saturday Night’
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WINGTIPS fine-tune their goth-pop exploits on ‘Wish U The Best’
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