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Kelsey Cook just wants to keep building and grinding in her new era
Mic’d Up: Mike Birbiglia stops the ride in Northampton
V3 Weekend: Foster The People, Nikki Glaser, ‘The Fall’
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V3 Weekend: Foster The People, Nikki Glaser, ‘The Fall’
‘The Monkey’ Review: Osgood Perkins, entertainer
A24 and the ‘Talk to Me’ guys present the ‘Bring Her Back’ trailer
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Hinds are back (just when we need them most) and serving up ‘Coffee’
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Ron Gallo welcomes the end of days with ‘At Least I’m Dancing’
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SXSW 2022: ‘I Get Knocked Down’ tries to get it up again
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SXSW 2022 Review: Patton Oswalt rules in ‘I Love My Dad’
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Watch Sinead O’Brien’s captivating showcase at SXSW 2021
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SXSW 2021: ‘Alone Together’ documents Charli XCX’s quarantine
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Far Caspian stirs up a lively slice of indie with ‘Arbitrary Task’
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SXSW 2022: ‘2nd Chance’ isn’t totally bulletproof
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SXSW 2022: Nick Cave wows in ‘This Much I Know to Be True’
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‘The Sparks Brothers’ Review: An A+ rock doc from Edgar Wright
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SXSW 2021: ‘The Spine of Night’ is fuckin’ metal, dude
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SXSW 2021: Dive into folk horror with ‘Woodlands Dark and Days Bewitched’
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