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Mic’d Up: Maria Bamford digs even deeper into her mind in Boston
ReVue Stage: Ian Karmel gifts us ‘Comfort Beyond God’s Foresight’
Mic’d Up: Taylor Tomlinson saves the best for her return to Boston
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Don’t watch ‘The Electric State’ trailer if you liked the book
Oscars 2025: ‘Anora’ takes home Best Picture and four other awards
‘Last Breath’ Review: An airtight story of a miracle at sea
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Evil Tongues weave a synth-pop safety net in the rousing ‘Catch Me’
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Puma June balances past regret with future promise on ‘Lost Years’
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The Beaches look ahead with past anecdotes on the hazy ‘Orpheus’
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Ducks Ltd. find comfort in the abyss of sadness on ‘Sheets of Grey’
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Hot Garbage display a metallic psych rumble on ‘Sometimes I Go Down’
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Breeze takes us through nightlife’s ‘Hard Boiled Wonderland’
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The Dirty Nil leave convenience behind on ‘Bye Bye Big Bear’
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Alvvays serve up a tantalizing twofer of twin guitar-pop delectability
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Alvvays return with ‘Pharmacist’, the first dose of new album ‘Blue Rev’
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Virginia To Vegas and MacKenzie Porter catch an ex hex on ‘this sucks.’
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Nightshifts drift along life’s unchosen path with a synth glide on ‘Beach’
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CIVIC TV find illuminated companionship from above on ‘black moon’
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