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Year in ReView: Vanyaland’s 12 months of comedy faves in 2025
Nick Offerman sculpts a fine night of comedy at Chevalier Theatre
Mic’d Up: Stavros Halkias gets dreamy as hell in Boston
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Year in ReView: Vanyaland’s favorite films of 2025
Year in ReView: Vanyaland’s favorite film screen performances of 2025
Watch Milly Alcock take to space in the first trailer for ‘Supergirl’
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Charlotte Sands stirs up an alt-pop storm with ‘one eye open’
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AE MAK crafts a celestial art-pop lullaby in ‘We Came From Stars’
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Artemas knows that ‘you and i could never be friends’
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Lonely Little Kitsch smash a collective tension with ‘Puncture Wounds’
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HIGHDRIVE scoff at societal apathy with the fevered ‘Cherry’
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Glixen stir the internal ache of shoegaze with ‘Medicine Bow’
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Grade 2 power forward in an unforgiving world with ‘Cut Throat’
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City Builders dials 666 for a rowdy alt-pop all-nighter in ‘No Sleep’
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Scarlet Nicole transmutes pain into power with the pulsating ‘Poison’
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617 Q&A: Colin Hay forever remains a storyteller at work
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Erin LeCount haunts an alt-pop dissociation with ‘MACHINE GHOST’
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away fans stir up a kinetic indie-rave tension by ‘Keeping On’
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