Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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E. PARKER, ‘Godspeed’: December 12

E. PARKER sails towards alt-pop opulence on ‘Godspeed’

When Lana Del Rey isn’t droning on and on about life in the fast line, you can be sure that E. PARKER will be filling in for her. The singer formerly known as simply PARKER lays down literary-reference-laden opulence on her new Lana-like song “Godspeed.” The track, which comes in quick succession to her debut EP The Life Illusion, documents her shaky life shift from Australia to London.

“I left Australia when I was 18, to make music in London. I was very lost at the time, bought a one way ticket and didn’t go back home for almost four years,” she says. “I wrote ‘Godspeed’ recently, as a letter to that version of myself, because I’m proud of that girl and the journey she’s had. I hope that the track can resonate with anyone else who is on the edge and about to take a chance, because I’ve come to learn that it’s always worth it.”

— Victoria Wasylak

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