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Ziwe returns home to The Wilbur with America on her mind
Year in ReView: Vanyaland’s 12 months of comedy favorites in 2024
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Year in ReView: Vanyaland’s 12 favorite films of 2024
Pain don’t hurt Jack Quaid in the ‘Novocaine’ trailer
‘Nosferatu’ Review: Thriving in the shadow of the original vampire
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‘The Inspection’ Review: Documenting homophobia at Boot Camp and at home
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TIFF 2022: ‘My Policeman’ shows off Harry Styles’ movie-star bona fides
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TIFF 2022: ‘Empire of Light’ is gorgeous, charming, and utterly empty
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TIFF 2022: ‘Holy Spider’ documents the hunt for an Iranian serial killer
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TIFF 2022: ‘Glass Onion’ can’t come close to equaling the glory of ‘Knives Out’
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TIFF 2022: ‘The Inspection’ documents homophobia at Boot Camp and at home
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‘Triangle of Sadness’ Review: Bile spews when it hits the third act
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TIFF 2022: Jennifer Lawrence returns to form in ‘Causeway’
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TIFF 2022: ‘Triangle of Sadness’ spews bile when it hits its third act
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TIFF 2022: Mia Goth makes the most of the middling ‘Pearl’
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TIFF 2022: Brendan Fraser can only do so much to save ‘The Whale’
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TIFF 2022: ‘The Woman King’ can’t break free of convention
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