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Dave Attell prepares to break hearts and rip darts at The Wilbur
Seth Meyers brings the ‘Late Night’ energy to Foxwoods
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Baby Yoda wants you to watch the new ‘Mandalorian and Grogu’ trailer
‘Wuthering Heights’ Review: ‘Withering lows’
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TIFF 2022
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‘The Blackening’ trailer skewers horror’s oldest tropes
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‘Glass Onion’ Review: Nowhere close to equaling the glory of ‘Knives Out’
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‘The Inspection’ Review: Documenting homophobia at Boot Camp and at home
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Jennifer Lawrence goes home in the ‘Causeway’ trailer
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TIFF 2022: ‘Banshees of Inishirin’ is McDonagh’s best since ‘Bruges’
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TIFF 2022: Park Chan-wook’s ‘Decision to Leave’ is one of the best films of the year
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‘The Whale’ Review: Brendan Fraser can only do so much
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‘The Fabelmans’ Review: Steven Spielberg’s most personal masterpiece
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‘Triangle of Sadness’ Review: Bile spews when it hits the third act
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TIFF 2022: ‘The Fabelmans’ is Spielberg’s most personal masterpiece
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TIFF 2022: Efron’s great, but ‘Greatest Beer Run Ever’ isn’t
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TIFF 2022: ‘My Policeman’ shows off Harry Styles’ movie-star bona fides
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