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TIFF 2022

Blackening

‘The Blackening’ trailer skewers horror’s oldest tropes

‘Glass Onion’ Review: Nowhere close to equaling the glory of ‘Knives Out’

The Inspection

‘The Inspection’ Review: Documenting homophobia at Boot Camp and at home

Causeway

Jennifer Lawrence goes home in the ‘Causeway’ trailer

Banshees

TIFF 2022: ‘Banshees of Inishirin’ is McDonagh’s best since ‘Bruges’

Decision to Leave

TIFF 2022: Park Chan-wook’s ‘Decision to Leave’ is one of the best films of the year

TIFF

‘The Whale’ Review: Brendan Fraser can only do so much

Fabelmans

‘The Fabelmans’ Review: Steven Spielberg’s most personal masterpiece

Triangle

‘Triangle of Sadness’ Review: Bile spews when it hits the third act

Fabelmans

TIFF 2022: ‘The Fabelmans’ is Spielberg’s most personal masterpiece

Beer Run

TIFF 2022: Efron’s great, but ‘Greatest Beer Run Ever’ isn’t

Policeman

TIFF 2022: ‘My Policeman’ shows off Harry Styles’ movie-star bona fides

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