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La Brasa cooks up weekly live music series with ONCE Somerville
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Kimaya Diggs pieces together a hopeful future with new album ‘Quincy’
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Jacqueline Novak continues her creative flexibility with ‘Get On Your Knees’
March 22, 2023
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Mic’d Up: Chris Distefano, Nick Zaino, Matt Rife, The Weed Game Show
Jacqueline Novak continues her creative flexibility with ‘Get On Your Knees’
V3 Weekend: Dropkick Murphys, ‘Big Irish’ Jay Hollingsworth, ‘The Town’
Film/TV
Film/TV
‘You Hurt My Feelings,’ Julia Louis-Dreyfus, by being in this swell trailer
Get charmed by the actually lovely ‘Rye Lane’ trailer
Raunch it up with the red-band trailer for ‘Joy Ride’
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SXSW
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Far Caspian stirs up a lively slice of indie with ‘Arbitrary Task’
Film/TV
SXSW 2022: ‘2nd Chance’ isn’t totally bulletproof
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SXSW 2022: Nick Cave wows in ‘This Much I Know to Be True’
Film/TV
‘The Sparks Brothers’ Review: An A+ rock doc from Edgar Wright
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SXSW 2021: ‘The Spine of Night’ is fuckin’ metal, dude
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SXSW 2021: Dive into folk horror with ‘Woodlands Dark and Days Bewitched’
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Ron Gallo welcomes the end of days with ‘At Least I’m Dancing’
Film/TV
SXSW 2022: ‘I Get Knocked Down’ tries to get it up again
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SXSW 2022 Review: Patton Oswalt rules in ‘I Love My Dad’
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Watch Sinead O’Brien’s captivating showcase at SXSW 2021
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SXSW 2021: ‘Alone Together’ documents Charli XCX’s quarantine
Film/TV
SXSW 2021: ‘The Sparks Brothers’ is an A+ rock doc
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