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ReVue Stage: Ian Karmel gifts us ‘Comfort Beyond God’s Foresight’
Mic’d Up: Taylor Tomlinson saves the best for her return to Boston
V3 Weekend: Thievery Corporation, Zachariah Porter, Mahoning Drive-In Road Show
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Don’t watch ‘The Electric State’ trailer if you liked the book
Oscars 2025: ‘Anora’ takes home Best Picture and four other awards
‘Last Breath’ Review: An airtight story of a miracle at sea
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Like a Doll elevates its voice via lullaby-rock on ‘Don’t Throw Your Words’
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Sam Jay gets official release date for HBO special ‘Salute Me or Shoot Me’
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Big Thief find a path towards pure essence by escaping a ‘Vampire Empire’
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Meg Smith dismisses a platonic soulmate on ‘breakup with a friend’
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The Dare kicks it old-school aughts style with all the ‘Girls’
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Johnny Dynamite and The Bloodsuckers are everlasting with ‘The Last Ones’
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Dru Cutler builds worlds through expansive soundscapes on ‘Will to Mend’
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Boston Flowers navigate the busy city like an indie-pop ‘Man On Mars’
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Yoke Lore finds time to ‘Shake’ with an infectiously upbeat new single
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TVOD pour one out for the departed Phoebe on the unsettling ‘Goldfish’
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The Vacant Lots keep us on the dance floor with ‘Thank You’
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Florist expand beyond their indie-folk world on ‘Sci-Fi Silence’
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