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This Show Is Tonight: Ben Schwartz gets friendly with Medford
V3 Weekend: Moon Over Salem, Eugene Mirman, ‘Friday the 13th’
This Show Is Tonight: Randy Feltface plays his best hand in Boston
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TIFF 2024: Joshua Oppenheimer’s ‘The End’ whimpers to its finish
TIFF 2024: ‘Saturday Night’ will make you want to change the channel
TIFF Review: ‘Megalopolis’ is unfiltered Coppola
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TIFF 2022
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‘The Fabelmans’ Review: Steven Spielberg’s most personal masterpiece
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TIFF 2022: ‘Triangle of Sadness’ spews bile when it hits its third act
Film/TV
TIFF 2022: ‘Glass Onion’ can’t come close to equaling the glory of ‘Knives Out’
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TIFF 2022: ‘The Inspection’ documents homophobia at Boot Camp and at home
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TIFF 2022: Mia Goth makes the most of the middling ‘Pearl’
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TIFF 2022: Efron’s great, but ‘Greatest Beer Run Ever’ isn’t
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Go back to the Middle Ages with the trailer for Lena Dunham’s ‘Catherine Called Birdy’
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TIFF 2022: Five films we’re excited about at this year’s festival
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Watch the trailer for Elegance Bratton’s A24 drama ‘The Inspection’
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‘The Whale’ Review: Brendan Fraser can only do so much
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TIFF 2022: Park Chan-wook’s ‘Decision to Leave’ is one of the best films of the year
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TIFF 2022: ‘Banshees of Inishirin’ is McDonagh’s best since ‘Bruges’
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