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Review: Comics Come Home 28 adds to its legacy with big laughs
V3 Weekend: Touché Amoré, Comics Come Home, IFFBoston Fall Focus
Adam Conover ruins everything, except for a night at The Wilbur
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‘Here’ Review: Abandon all hope, ye who enter
V3 Weekend: Touché Amoré, Comics Come Home, IFFBoston Fall Focus
IFFBoston Fall Focus 2024: Five films to check out this year
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Franz Ferdinand are still excitedly ‘Audacious’ and that’s why we love them
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sidebody eye music as a ‘full time job’ on new album
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CARSICK rage against the dark side of the indie music scene with ‘Gig Tax’
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Corella reclaim the carefree feeling of youth on the anthemic ‘Drifting’
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Lucy McWilliams confronts her true self with euphoric thunder on ‘Plastic’
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Flat Party claim a voice of their own on the yearning ‘Glances In The Dark’
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Sister Ghost glows in the fire of desired visibility with ‘Dark Matter’
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Hard-Fi return with a fist in the air on ‘Don’t Go Making Plans’
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DIIV are out here feeling like a ‘Brown Paper Bag’ just like the rest of us
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Real Estate reconnect a feeling of creativity with ‘Water Underground’
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The Mezz cross life’s ‘Bridges’ with a glistening confidence and authenticity
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Surprise Baby ride off into iridescent escapism with ‘Motorcycle’
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