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Mic’d Up: Chris Fleming returns for a triple dose of beautiful chaos
Kevin Smith is truly in love with Boston (and Jason Mewes)
V3 Weekend: Frank Black, Shhh…Secret Comedy, ‘Groundhog Day’
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Film/TV
Sundance 2025: Josh O’Connor leads the warm and lovely ‘Rebuilding’
Sundance 2025: Your mileage may vary with ‘Bubble and Squeak’
Sundance 2025: ‘Serious People’ will make you laugh now, cringe later
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Lip Filler careen down the reckless corridors of life with ‘Leeches’
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The Vices outline a clear path forward ‘Before It Might Be Gone’
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Sister Ghost glows in the fire of desired visibility with ‘Dark Matter’
Music
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Hard-Fi return with a fist in the air on ‘Don’t Go Making Plans’
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DIIV are out here feeling like a ‘Brown Paper Bag’ just like the rest of us
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Real Estate reconnect a feeling of creativity with ‘Water Underground’
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Hard-Fi unveil a swagger bomb of defiant cool in ‘Don’t Need You’
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Franz Ferdinand are still excitedly ‘Audacious’ and that’s why we love them
Boston News
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sidebody eye music as a ‘full time job’ on new album
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CARSICK rage against the dark side of the indie music scene with ‘Gig Tax’
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Corella reclaim the carefree feeling of youth on the anthemic ‘Drifting’
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Lucy McWilliams confronts her true self with euphoric thunder on ‘Plastic’
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