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Matt Rogers promises it’s really Christmas this time at The Wilbur
Wolves Of Glendale get weird in the wild with ‘Go To The Woods’
Anthony Rodia keeps things ‘Insanely Funny’ at The Wilbur
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TIFF 2026 Review: Michelle Yeoh cuts deep in ‘The Surgeon’
TIFF 2026 Review: ‘Club Kid’ drops a fresh beat on fatherhood
TIFF 2026 Review: ‘Wild Horse Nine’ is a Malkovich masterwork
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Franz Ferdinand are still excitedly ‘Audacious’ and that’s why we love them
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sidebody eye music as a ‘full time job’ on new album
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CARSICK rage against the dark side of the indie music scene with ‘Gig Tax’
Music
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Corella reclaim the carefree feeling of youth on the anthemic ‘Drifting’
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Lucy McWilliams confronts her true self with euphoric thunder on ‘Plastic’
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Flat Party claim a voice of their own on the yearning ‘Glances In The Dark’
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Sister Ghost glows in the fire of desired visibility with ‘Dark Matter’
Music
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Hard-Fi return with a fist in the air on ‘Don’t Go Making Plans’
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DIIV are out here feeling like a ‘Brown Paper Bag’ just like the rest of us
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Real Estate reconnect a feeling of creativity with ‘Water Underground’
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The Mezz cross life’s ‘Bridges’ with a glistening confidence and authenticity
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Surprise Baby ride off into iridescent escapism with ‘Motorcycle’
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