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Mic’d Up: Fortune Feimster takes care o’ biscuits in P-Town
Mic’d Up: Pete Holmes is The Comedy Studio’s worst kept secret
Tim Dillon turns up the volume at The Wilbur
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‘The End of Oak Street’ Review: Weirdly cold-blooded
‘Tony’ Review: A portrait of the artist as a young jerk
Brad Pitt has a ruff time in the ‘Heart of the Beast’ trailer

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Train Dreams

TIFF50 Review: Joel Edgerton gives ‘Train Dreams’ its soul

Caught Stealing

‘Caught Stealing’ Review: Austin Butler really ties the film together

Highest 2 Lowest

‘Highest 2 Lowest’ Review: Spike Lee’s still got it

Weapons

‘Weapons’ Review: Zach Cregger joins the masters of horror

Eddington

‘Eddington’ Review: Ari Aster’s grand 2020 statement says little

Superman

‘Superman’ Review: James Gunn gives DC a great fresh start

Long Walk

‘The Long Walk’ Review: A mid-tier march through a King classic

‘Relay’ Review: Riz Ahmed wins a decent race

Nobody 2

‘Nobody 2’ Review: Have some sun-and-gun with Bob Odenkirk

Fantastic Four

‘The Fantastic Four: First Steps’ Review: A return to form?

Last Summer

‘I Know What You Did Last Summer’ Review: Reeling in the ’90s

Jurassic World Rebirth

‘Jurassic World: Rebirth’ Review: Tyrannosaurus wrecks

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