Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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House of Harm, ‘Past Life’: November 9

House Of Harm glisten under fidgety darkness on the remarkable ‘Past Life’

“Seeing as how this is the [website] which previously brought you first [online music magazine] appearances from everything from [Band A] to [Band Z], we do like to keep our hand in and keep you informed of the most interesting new sounds in the north [east]. This, [House Of Harm] is the most interesting new sound we’ve come across in the last six months. They’re a [Boston] band, with the exception of the guitarist who comes from [Pennsylvania], very important difference, they’re called [House Of Harm], and this number is [“Past Life”].

That bit of paraphrasing, originally pulled from Tony Wilson’s infamous Granada Reports introduction of Joy Division some 40 years ago, was bouncing in our heads as we watched House of Harm perform live at last month’s Vanyaland HalloVVeen party. The Boston duo certainly veer more towards The Cure and Chameleons than they do Joy Division (there are modern-day traces of a more aggressive Drab Majesty in here as well), but the fire and passion of post-punk’s initial rise is well-lit in the band’s auburn brand of cold wave.

They are, along with fellow Halloween performers Trlogy, the interesting new sound we’ve come across in some time, and we are excited to debut their latest single, a crystallic number of regret and discontent called “Past Life” that glows from the deepest trench of post-punk’s underground.

— Michael Marotta

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