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Ziwe returns home to The Wilbur with America on her mind
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Year in ReView: Vanyaland’s 12 favorite films of 2024
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‘The Inspection’ Review: Documenting homophobia at Boot Camp and at home
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TIFF 2022: ‘The Woman King’ can’t break free of convention
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‘Nomadland’ Review: Chloe Zhao’s drama is one of the year’s best
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TIFF Review: Chloe Zhao’s ‘Nomadland’ is one of the year’s best
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‘High Life’ Review: Claire Denis’ latest is breathtaking science-fiction
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Toronto International Film Festival Wrap-Up: The rest of the fest, from best to mess
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TIFF 2022: ‘The Inspection’ documents homophobia at Boot Camp and at home
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‘Sound of Metal’ Review: A soul-eviscerating drama from Darius Marder
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TIFF Review: Spend ‘One Night in Miami’ as soon as you can
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‘Guns Akimbo’ Review: A dire film that wastes Daniel Radcliffe
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TIFF Review: ‘Border’ is a fantastically fucked-up fairy tale
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TIFF Review: Sean Baker’s ‘The Florida Project’ is one of the year’s best films
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