fbpx

Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

Prev47 of 50Next
Swipe or use your ← → (arrow) keys

SWAY, ‘Haven’: November 21

SWAY transport us to a better place on the majestic ‘Haven’

Last year on a certain single, RIDE described “home” as “a feeling.” But we always subscribe to the notion that home is also a a particular sound — one that comforts, transports, and eases you backwards or forwards into a better place. That’s the sentiment that fills our hearts and minds as “Haven”, a calmly boisterous new track from young Scottish band SWAY, blares from our speakers with reckless guitar-rock precision, gliding along with delicate ease for its first few minutes before unfolding into blissful noise-pop brilliance, barreling to a conclusion that affirms these gents are only now getting started. To say we’re intrigued by what’s to come here is an understatement, as SWAY seem to manage both the weight and expectations of rekindling shoegaze and noise-pop’s glory days while standing firmly planted in the now and next. It’s an interesting balance, one that makes the near-six-minutes of “Haven” a introspective sonic journey that feels like the opening chapter to your new favorite saga.

SWAY might get pegged as having a throwback sound, but it’s clear they’re not concerned with easy comparables; instead they’re simply transporting all of us to a time where music had not just emotion, but a gravitational pull. Make sure you’re holding on tightly for that majestic finale, and allow yourselves to let SWAY consume and console. We have a feeling we’ll all appreciate where we end up.

— Michael Marotta

Prev47 of 50Next
Swipe or use your ← → (arrow) keys