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Sundance

When You Finish Saving the World

Sundance 2022: ‘When You Finish Saving the World’ needs to be saved from itself

After Yang

Sundance 2022: ‘After Yang’ is occasionally pretty, mostly empty

Hatching

Sundance 2022: ‘Hatching’ breaks out of the fairy-tale shell

Sundance 2022

Sundance 2022: Five films we’re looking forward to at this year’s fest

The Night House

‘The Night House’ Review: A horror flick that can’t keep it together

‘Summertime’ Review: Estrada throws down an ambitious slam poetry musical

Emily the Criminal

Sundance 2022: Aubrey Plaza breaks bad in ‘Emily the Criminal’

Meet Me in the Bathroom

Sundance 2022: ‘Meet Me in the Bathroom’ bumps NYC indie in the ’00s

jeen-yuhs

Sundance 2022: ‘jeen-yuhs’ offers a glimpse at Kanye’s ascent

‘Cryptozoo’ Review: Modern adult animation at its finest

‘CODA’ Review: A delightful, if generic, crowd-pleaser from Siân Heder

‘In The Earth’ Review: Ben Wheatley brings the cosmic horror

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