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V3 Weekend: Dropkick Murphys, Sebastian Maniscalco, ‘Major League’
Iliza Shlesinger sets the date for her return to Chevalier Theatre
Mic’d Up: Dusty Slay puts in the hours on the ‘Night Shift’ tour
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BUFF 2025: Five films to check out at this year’s festival
‘Happy Gilmore 2’ tees up a teaser trailer
‘Opus’ Review: Ayo Edibiri and John Malkovich rock out
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‘Ferrari’ Review: Michael Mann’s red-blooded, brooding epic
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The Boy and the Heron’ Review: Miyazaki delivers a masterpiece
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‘The Holdovers’ Review: This will win over Alexander Payne haters
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‘Killers of the Flower Moon’ Review: A long, slow, and complex masterpiece
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TIFF 2023: ‘The Holdovers’ will win over Alexander Payne haters
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‘Blue Beetle’ Review: The new bug on the block’s alright
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‘Eileen’ Review: The year’s darkest comedy
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‘Napoleon’ Review: A common Ridley Scott ‘W’
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‘The Killer’ Review: Michael Fassbender’s not happy and he’s not sad
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‘The Creator’ Review: Gareth Edwards’ sci-fi epic is bold and beautiful
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TIFF 2023: Miyazaki’s ‘The Boy and the Heron’ is, unsurprisingly, a masterpiece
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‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ Review: Turtle Power
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