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Mic’d Up: Robert Kelly, Anthony Jeslenik, Drew Lynch
The ReVue Stage: Alex Edelman’s ‘Just For Us’ hits hard in the best ways
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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The new f***ing ‘Deadpool and Wolverine’ trailer is here
‘Abigail’ Review: Pirouettes and chewed-up necks
V3 Weekend: Drop Nineteens, Matt Rife, Seagrass 4/20 Film Festival
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‘Aquaman’ Review: A splashy, goofy good time
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‘Avatar: The Way of Water’ Review: Worth the 10-year wait
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‘Beast’ Review: In the mighty savanna, the lion attacks tonight
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‘Blue Beetle’ Review: The new bug on the block’s alright
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‘Cam’ Review: An Internet thriller on par with ‘Unfriended’
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‘Creed III’ Review: Michael B. Jordan knocks ’em out
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‘Asteroid City’ Review: The tragedy of Wes Anderson
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‘Babylon’ Review: After ‘The Gold Rush’, into a world of sound
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‘Blonde’ Review: Requiem for Norma Jean
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‘Bones and All’ Review: Fine young cannibals
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‘Child’s Play’ Review: The best toy-related movie in theaters this weekend
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‘Dune: Part Two’ Review: Denis Villeneuve doesn’t miss
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