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V3 Weekend: Jawbreaker, Aparna Nancherla, ‘The Fugitive’
Michelle Buteau is bringing a ‘Full Heart, Tight Jeans’ to Chevalier Theatre
Mic’d Up: Gary Gulman, Ian Fidance, Aparna Nancherla, Starlite
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TIFF 2023: ‘The Holdovers’ will win over Alexander Payne haters
TIFF 2023: Miyazaki’s ‘The Boy and the Heron’ is, unsurprisingly, a masterpiece
V3 Weekend: Jawbreaker, Aparna Nancherla, ‘The Fugitive’
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617 Q&A: Middle Kids’ Hannah Joy on yearn-core, Olivia Rodrigo, and middle children
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617 Q&A: Police guitarist Andy Summers on photography, touring, and music docs
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617 Q&A: Toad the Wet Sprocket’s Glen Phillips has ‘All You Want’
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Q Division refines its sound and vision at new Cambridge studio
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Interview: Margaret Cho is comedy’s ‘Live & Livid’ blueprint
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617 Q&A: Ville Valo on leaving HIM behind, going solo, and being a lone wolf
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617 Q&A: Stephan Jenkins on reconciling the past and why Third Eye Blind is indie rock
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Oscar Gambling: Vanyaland’s 2023 Academy Awards betting guide
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617 Q&A: Scott Ian of Anthrax still knows how to bring the noise
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617 Q&A: Tim Burgess on The Charlatans hanging out ‘Between 10th and 11th’
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Year In ReView: Greater Boston is feeling the post-pandemic vinyl boom
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617 Q&A: Drab Majesty embrace the isolation and all that comes with it
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