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NICE, a fest Artist Profiles: Speedy Ortiz

Photo Credit: Shervin Lainez

Editor’s Note: Welcome to our new series spotlighting the bands and artists playing this year’s NICE, a fest. With 49 live performances over three days and two venues — July 28 to 30 at Somerville’s Crystal Ballroom and The Rockwell — there’s a lot going on, but consider this your compass to the NICE-est weekend imaginable. Get ticket info here, and check out our continued coverage of the festival.

Speedy Ortiz

When and Where: Saturday, July 30 at 11 p.m. at The Crystal Ballroom.

Band Bio: Speedy Ortiz has established itself as one of this decade’s most vibrant bands since their 2012 debut EP Sports. That EP introduced listeners to the band’s constant study of contrasts, with vocalist and guitarist Sadie Dupuis’ gnarled riffs acting as both counterpoint to and bolsterer of her acerbic, conversational poetry. 2013’s Major Arcana went further, the members’ reflexive chemistry inspiring them to push the limits of their sound; propelled by the rhythm section of Darl Ferm (bass) and Michael Falcone (drums), their first full-length chugged along with a swaggering gusto that could command a sweaty Boston basement as easily as a festival stage, leading to touring with legends of the “alternative” boom like The Breeders, Mary Timony (Ex Hex, Helium) and Stephen Malkmus & The Jicks. 2015’s Foil Deer added headphone-ready detailing to the already clamorous mix, with worldwide headlining dates on which they were supported by modern-day best-new-music makers like Mitski, Alex G, and Downtown Boys. Their no-nonsense approach to progress, as evidenced by initiatives like their first of its kind in-concert “help hotline,” and Dupuis’ tackling of issues like bystander intervention and inclusivity in the music industry — in her lyrics, and as a frequent panelist and speaker — makes the band poised to surge into the future.

Twerp Verse, Speedy’s third album and first with Philadelphian Andy Molholt (Laser Background) on second guitar, is urgent and taut, adding surprising textures like Linn drums and whirled guitar processing to their off-kilter hooks. Dupuis, whose electro-pop solo project Sad13 debuted in 2016 shortly after her own move to Philadelphia, has become more instinctive in her songwriting—her home-recorded demos mirror Twerp Verse‘s songs in a closer way than any other Speedy record—while her lyrics have become more pointedly witty. The band’s camaraderie and crate-digging is evident, with diffuse reference points like Squeeze, Hop Along, Prince, Paramore, and Brenda Lee being sucked into the band’s chaos. Even when Dupuis sings of alienation and political weariness, the pop maelstrom swirling around her provides a defiantly charged, mussed-but-hooky optimism.

Fun Fact: “NICE.”

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