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Year in ReView: Vanyaland’s favorite films of 2018

2018 was a lot of things: A ceaseless reminder that the never-ending hellscape we've crafted for ourselves in the weeks following the 2016 election will not abate without a seemingly herculean effort, a great baseball season for Red Sox fans, and perhaps best of all, a pretty damn good year at the movies. What follows is a year-end list of accolades and the films that received them, not in any particular order, in which I've pulled review samples from our archives over the past year. Because, if the holidays are about reflection and whatnot, what better way to ring in the season than by looking at the work you've done over the past year? There are a few listed that I never got the chance to review, and those will be accompanied by some hastily-written blurbs telling you to Go See The Thing I Liked. And you should! Each of these movies -- including those on the honor roll -- are worth your time and effort. Thanks for reading.

Honor Roll: A Prayer Before Dawn, Border, Widows, Halloween, I Think We're Alone Now, The House That Jack Built, BlackkKlansman, The Death of Stalin, Black Panther, Cam, Leave No Trace, Wildlife, The Sisters Brothers, Mid90s, Thoroughbreds, A Quiet Place, Unfriended: Dark Web, The Legacy of Whitetail Deer Hunter, The Captain, Clara's Ghost, The Devil's Doorway, Nico 1988, Ready Player One, Cold War, Shoplifters, The Mule

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Best Performance of the Year

You Were Never Really Here

From my review: “You have all of these little grace notes in [Joaquin] Phoenix’s performance that speak to this: The way he vomits as he enters the door code to get into the first snake pit, steeling himself both for the horrors of what he’s about to see, as well as the brutal acts that he’s going to commit (Ramsay keeps us afar from the violence and its aestheticization, preferring to show us most of it either in aftermath or in grainy security camera footage). Or perhaps the scene that probably won him the Best Actor award at Cannes, a naked expression of grief and failure at the end of this film that will play a number of different ways to different audience but that I found absolutely and totally heartbreaking. It’s a fearless and rousing performance by one of our greatest living actors — thank Jesus he’s somehow avoided the easy payday of the franchise film thus far — and is essential to watch if you even have a passing interest in the craft of acting.”

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