Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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Sir Babygirl, ‘Haunted House’: November 14

Sir Babygirl opens the doors to her very own ‘Haunted House’

This February, Sir Babygirl is set to release her debut album, Crush on Me, via Father/Daughter Records. And that’s a pretty appropriate LP title, because these days we’re crushing hard on the DIY pop diva, producer, and New Hampshire native named Kelsie Hogue.

Last month we bumped her bubble-pop bop “Flirting With Her”, and today we’re slack-jawed and weak-kneed over “Haunted House”, a hyper-active, theatre-kissed mega-jam about a party gone horribly wrong. It does for electronic-pop what Hedwig did to glam rock.

Hogue studied at Boston University’s School of Theater while toiling among the Allston underground in bands like Leigh Cheri before doing time in Chicago’s DIY and comedy scene, an extended path that led her back home, where she converted her childhood bedroom into a makeshift studio. A bedroom is the scene of the “Haunted House” video, which was directed by Eli Raskin. “The overall concept is that we’re trapped inside my diary, so we wanted the set to reflect the idea of being trapped in your own trauma with no perception of the outside world,” says Hogue. Adds Raskin: “We thought of the world as the diary — a physical repository for one’s most potent memories. ‘Haunted House’ is about that entry that still torments you and everything it takes to rip that page out.”

— Michael Marotta

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