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Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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Aubrey Haddard, ‘I Should Know Better’: March 23

Aubrey Haddard stretches soulful songwriting on ‘I Should Know Better’

When Aubrey Haddard proclaims that she’s “got to get out of this place,” as she does on on new solo single “I Should Know Better,” the obvious interpretation is that she’s stuck in dead-end or otherwise faulty relationship. But when you take Haddard’s expansive musical repertoire into consideration, maybe the line signals stretching her songwriting wings — which is exactly what her solo project aims to do, spreading the wealth far and wide throughout the umpteen-plus different music scenes in Boston.

Her solo project consists of herself, Josh Strmic on drums, and Charley Ruddell on bass. “Ultimately I think being part of various projects has really only made me a better musician and I think you can hear the various experiences’ influences in my music,” Haddard adds. “I’ve learned, and am still learning how to be a frontwoman and a rhythm guitar player, a part of the rhythm section, and a fearless leader all at once or never at the same time. And especially in Boston I think its important to cross genres because the scene can feel at times really segregated and exclusive when really we are all just experimenting and figuring it out.”

“I Should Know Better” presents a slice of Haddard’s forthcoming album from her solo project’s trio, a 10-track record titled Blue Part out this summer. Named after the hottest part of a flame, the opus promises simmering heartbreak and a sun-tinged vibe.

— Victoria Wasylak

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