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Year In ReView: Our favorite Boston-ish songs of 2017

It's December 21, and we're just finally getting around to our annual list of favorite songs to come out of Boston in 2017. Two conclusions can be drawn from this -- first, the year was so packed that our Year End obligations were pushed back to the very last minute, and secondly, we kind of hate these posts. Through our New Sounds features and pages of Boston News posts, it's virtually impossible to come up with a full portrait of Boston's year in music. We hope that our dedicated coverage from January to December acts as our compass of what's good around town; this list here can be best described as a loose collection of our "faves." It's in no order, it's by no preference; these tracks stuck with us over the course of the calendar, and if you missed one or two when released, perhaps it can help fill in some blanks. Because it was a crazy good year for Boston music, and 2018 feels as promising as ever.

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CONTACT, “Gravekeeper”

Earlier this year the three gents of CONTACT jumped in the van and travelled with Vanyaland down to Austin for South-By-Southwest. Along the way, we collectively saw the grim ghostland of landlocked America — once bustling towns littered with empty storefronts, abandoned gas stations, and Main Streets paved towards the lost promise of prosperity as somewhere quickly turns to nowhere. On the ride we heard the evolution of the trio’s summer single “Gravekeeper,” though the subject is more about a faded romance than an American town that lost its way, its sentiment of what can and cannot be moved on from bares a striking similarity. “Gravekeeper” finds CONTACT veering more towards post-punk and guitar-rock supremacy, all while keeping their studious knack for illuminating synthetics. “It became this story about really putting yourself out there for someone, but having it totally backfire,” said guitarist/vocalist/songwriter Matt Rhoades. “She kept telling me over the course of our dating that she thought I was a liar. I played into that with ‘Gravekeeper’ by saying how much she meant to me throughout the song, then ending with [the lyric] ‘The only truth is that I’m lying in my blood.’”

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