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Year In ReView: Vanyaland’s Top 25 songs of 2016

This was an odd year for music. As Vanyaland senior writer Daniel Brockman details in his annual Year In Pop roundup, the two-way highway of comings and goings produced a wealth of in-crisis pop, solemn rock, and schizophrenic hip-hop alongside a cruel abundance of iconic deaths and life-lessons from rock's dinosaur guard. And as this Vanyaland contributor list proves, it was another wildly eclectic and eccentric year of sound, proving that genre restriction is truly dead for those who still actually care. For our Top 25 Songs of 2016, we pitched and polled our writing staff about their favorite tracks of the year, then condensed each list for a composite ranking. Below are the results, with the song's nominator doing the honors of telling us why the song cracked the list in the first place. It may not be perfect, but it's ours, and it's worth more than just taking a Chance on.

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3. Beyoncé, “Formation”

“I’m so reckless when I rock my Givenchy dress” is completely untrue, because there is absolutely nothing reckless about anything Bey has been up to for years at this point; ever since she re-tuned her engine for a post-Gaga pop environment after the confused dichoto-metal of 2008’s “Sasha Grey” platter, Beyonce has been laser-precise and on-point every time. Here, she presents a tricky puzzle of a tune that makes you burrow to the center, past the expected bragging points and revealing biographical material, to the political/cultural/social center-holding that is the song’s essence. “Formation” can be listened to one way as a fun dance number, another way as a tear-inducing activist anthem, and another way as a strong personal statement about surviving adversity — all hinged around a marching band stomp refrain of “I slay” that is neither a chorus nor a chant. It’s catchy without being melodic while working dance magic without the crutch of the synthetic lift that defines most dancefloor tunes of the past decade; in its own way “Formation” is a staggering work of genius songcraft from one of the most purely inventive musical forces around.

— Daniel Brockman

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