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    Mic’d Up: Eugene Mirman hits up some besties at Crystal Ballroom

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    ‘Shoresy’ shows up and sets the tone with ‘Fall Classic’ at TD Garden

    Mic’d Up: Todd Barry remains domestic in Springfield

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    Marty Supreme

    ‘Marty Supreme’ Review: Josh Safdie serves up a masterpiece

    V3 Weekend: Jingle Bell HAWC, ‘You Got Gold’, ‘Commando’

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    ‘Ready or Not 2: Here I Come’ gets solid trailer, bad title

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V87

MusicSpotlight

1987 Week: The sax bomb — INXS, ‘The Lost Boys’, and ’80s pop culture

Film/TV

1987 Week: Oh god, oh man, it’s the ‘Worst Line Reading Ever’

MusicSpotlight

1987 Week: King Diamond unleashes enduring evil on ‘Abigail’

Film/TV

1987 Week: Pitting parental ethos against each other in ‘Over The Top’ vs. ‘Raising Arizona’

MusicSpotlight

1987 Week: Why Hüsker Dü were The Beatles of the ’80s American alternative landscape

MusicSpotlight

1987 Week: Pixies shape the sound of alt-rock with ‘Come On Pilgrim’

MusicSpotlight

1987 Week: Vintage show listings, ads, and other stuff from the David Bieber Archives

MusicNational NewsSpotlight

1987 Week: Whitesnake’s self-titled ’80s classic is getting the deluxe edition treatment

MusicSpotlight

1987 Week: Eric B. & Rakim bring fearlessness and innovation to hip-hop on ‘Paid in Full’

MusicSpotlight

1987 Week: Phish hone their kindred and groovy spirit at Nectar’s in Vermont

Music

1987 Week: Televised suicide of R. Budd Dwyer inspires morbid music memorials

Film/TV

1987 Week: ‘Superman IV’ and ‘Miami Connection’ reflect heightened global tensions

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