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Mic’d Up: Valerie Tosi brings it back home for a bitchin’ good time
V3 Weekend: Bishop Briggs, Nathaniel Rateliff, ‘Female Perversions’
Pete Holmes offers something for the whole family at The Wilbur
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‘Death of a Unicorn’ Review: Gallop away from this one
V3 Weekend: Bishop Briggs, Nathaniel Rateliff, ‘Female Perversions’
Watch the first trailer for PT Anderson’s ‘One Battle After Another’
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TIFF 2018
Film/TV
TIFF Review: Strickland’s ‘In Fabric’ is smart Italian horror homage
Film/TV
Music
TIFF Review: ‘Vox Lux’ is a musical mess
Film/TV
TIFF Review: ‘The Sisters Brothers’ is an oddly sweet western
Film/TV
TIFF Review: Even Elle Fanning can’t liven up the tired ‘Teen Spirit’
Film/TV
TIFF Review: Jonah Hill’s ‘Mid90s’ is a beautiful tribute to skate culture
Film/TV
TIFF Review: ‘Greta’ gives us Isabelle Huppert at her most Nicolas Cage
Film/TV
TIFF Review: Claire Denis’ ‘High Life’ is breathtaking science-fiction
Film/TV
TIFF Review: ‘Hold the Dark’ languishes beneath its ambiguities
Film/TV
Music
TIFF Review: Bradley Cooper’s ‘A Star Is Born’ is a great musical
Film/TV
TIFF Review: Gaspar Noé’s ‘Climax’ is an acid-laced dance descent into madness
Film/TV
TIFF Review: ‘Beautiful Boy’ offers a thoughtful look at drug addiction
Film/TV
TIFF Review: ‘Halloween’ gives Michael Myers the sequel he’s deserved
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