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Mic’d Up: Fortune Feimster takes care o’ biscuits in P-Town
Mic’d Up: Pete Holmes is The Comedy Studio’s worst kept secret
Tim Dillon turns up the volume at The Wilbur
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‘The End of Oak Street’ Review: Weirdly cold-blooded
‘Tony’ Review: A portrait of the artist as a young jerk
Brad Pitt has a ruff time in the ‘Heart of the Beast’ trailer
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TIFF 2018
Film/TV
The new ‘High Life’ trailer takes you to the edge of the universe
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TIFF Review: Barry Jenkins’ ‘If Beale Street Could Talk’ is a masterpiece
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TIFF Review: Alfonso Cuarón’s ‘Roma’ deserves all of its accolades
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TIFF Review: Karyn Kusama’s ‘Destroyer’ can’t overcome its issues
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TIFF Review: ‘Boy Erased’ is an excellent showcase for Lucas Hedges
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TIFF Review: ‘The Wind’ is a solid western-horror hybrid
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Film Review: Alfonso Cuarón’s ‘Roma’ deserves all of its accolades
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TIFF Review: ‘Her Smell’ is an indie rock drama worth the watch
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TIFF Review: Damien Chazelle’s ‘First Man’ is one of the year’s best
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TIFF Review: ‘Widows’ is another stunner from Steve McQueen
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TIFF Review: ‘Assassination Nation’ is all bark, no bite
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TIFF Review: ‘The Standoff at Sparrow Creek’ fails to excite
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