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Mic’d Up: Sean Patton makes it look ‘Big Easy’ in Cambridge
Jim Gaffigan sticks around with an ol’ one-two punch at The Wang
Mic’d Up: Rhys Darby returns to The Wilbur in legendary fashion
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‘Mother Mary’ Review: Say no to the dress
IFFBoston 2026 Preview Part II: Dafoe, Wilde, and power ballads
At long last, here’s the ‘Coyote vs. ACME’ trailer
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deary connect with a younger sense of self on the ‘gazing ‘Alma’
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Erin LeCount haunts an alt-pop dissociation with ‘MACHINE GHOST’
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Madeleine Rose Witney cautions a ‘Shine’ by exquisite torch song
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Speedial serve up an eclectic cocktail for our inner ‘Tourist’
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Two tears in a bucket, here’s PUNCHBAG with ‘Fuck It’
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IDER explore a synth-pop love language on ‘Attachment Theory’
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Temples deliver joy in a soulless world with ‘Jet Stream Heart’
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away fans stir up a kinetic indie-rave tension by ‘Keeping On’
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Wyldest offer a lucid post-apocalyptic pop song in ‘After The Ending’
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Sydney Jo Jackson strikes a smoky note with ‘You Should Be Here’
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Lip Filler careen down the reckless corridors of life with ‘Leeches’
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Hex Girlfriend go against the green on ‘No Golf Cart Parking’
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