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Mic’d Up: Valerie Tosi brings it back home for a bitchin’ good time
V3 Weekend: Bishop Briggs, Nathaniel Rateliff, ‘Female Perversions’
Pete Holmes offers something for the whole family at The Wilbur
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Brad Pitt and David Fincher will make a sequel to Tarantino’s ‘Once Upon a Time…’
CinemaCon 2025: Forget ‘Spider-Men,’ Sony’s betting on ‘Beatles’
‘Death of a Unicorn’ Review: Gallop away from this one
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Alt-Pop
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Band in the USA: Ava Max unveils dates for ‘Ava Max On Tour (Finally)’
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Maggie Miles bookends a soulful alt-pop journey with ‘Asleep’
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KEHLI plays a love story cool and casual on the vivid ‘Lose U Now’
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Em Beihold rides a course of life with ‘Roller Coasters Make Me Sad’
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rlyblonde rejects dating culture and all its hopeless illusions on ‘Fantasy’
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Tove Lo dances along the edges of a tortured love on ‘Borderline’
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Sophie Powers reflects a generation numb from it all on ‘Nosebleed’
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Lucy McWilliams is ‘Slow Dancing’ with a lingering feeling of isolation
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Juliana Madrid is flirting with the universe in the golden ‘Afterlife’
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This Show Is Tonight: Zolita brings weekend alt-pop to Cambridge
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Natalie Shay is pushed to ‘The Edge’ of a broken friendship
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Skott cradles us in the dramatic pursuit of love with ‘Hail Mary’
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