Year in ReView: Vanyaland’s favorite films of 2018

2018 was a lot of things: A ceaseless reminder that the never-ending hellscape we've crafted for ourselves in the weeks following the 2016 election will not abate without a seemingly herculean effort, a great baseball season for Red Sox fans, and perhaps best of all, a pretty damn good year at the movies. What follows is a year-end list of accolades and the films that received them, not in any particular order, in which I've pulled review samples from our archives over the past year. Because, if the holidays are about reflection and whatnot, what better way to ring in the season than by looking at the work you've done over the past year? There are a few listed that I never got the chance to review, and those will be accompanied by some hastily-written blurbs telling you to Go See The Thing I Liked. And you should! Each of these movies -- including those on the honor roll -- are worth your time and effort. Thanks for reading.

Honor Roll: A Prayer Before Dawn, Border, Widows, Halloween, I Think We're Alone Now, The House That Jack Built, BlackkKlansman, The Death of Stalin, Black Panther, Cam, Leave No Trace, Wildlife, The Sisters Brothers, Mid90s, Thoroughbreds, A Quiet Place, Unfriended: Dark Web, The Legacy of Whitetail Deer Hunter, The Captain, Clara's Ghost, The Devil's Doorway, Nico 1988, Ready Player One, Cold War, Shoplifters, The Mule

Prev6 of 15Next
Swipe or use your ← → (arrow) keys

Best Afternoon Spent Wondering Why A24 Buried This Wonderful Film

How to Talk to Girls at Parties

From my review: “It’s interesting that the critical discourse around this film is shaping up to be a record-collecting dick measuring contest, where the competing ideologies in all forms of “punk” as we know it have taken root in the minds of different writers, each who have their own idea (and knowledge) of the ethos behind one of the most amorphous movement this side of the jazz-and-golf-playing anarchists in Thomas Pynchon’s Against the Day. Though I don’t totally agree with this, it could be argued that punk initially was nothing more than a cash grab — a rock and roll swindle, if you will — by a group of adults looking to pry money from the disaffected youths willing to go into their stores and buy their records and clothes to be fashionable or to feel a part of something. Punk, to me at least, was never about what the Malcolm McLarens of the world tried to market to you: It was a germ of an idea that only had meaning when its adherents gave it their own. So Mitchell’s vision of a punk coming-of-age may not fit in the hell-raising category that so many people want it to be, but I quite appreciated the tenderness of How to Talk to Girls at Parties and its deeply-felt belief that the most punk thing you can do is give a shit, to love fully and earnestly.”

Prev6 of 15Next
Swipe or use your ← → (arrow) keys