Year in ReView: Vanyaland’s favorite films of 2018

2018 was a lot of things: A ceaseless reminder that the never-ending hellscape we've crafted for ourselves in the weeks following the 2016 election will not abate without a seemingly herculean effort, a great baseball season for Red Sox fans, and perhaps best of all, a pretty damn good year at the movies. What follows is a year-end list of accolades and the films that received them, not in any particular order, in which I've pulled review samples from our archives over the past year. Because, if the holidays are about reflection and whatnot, what better way to ring in the season than by looking at the work you've done over the past year? There are a few listed that I never got the chance to review, and those will be accompanied by some hastily-written blurbs telling you to Go See The Thing I Liked. And you should! Each of these movies -- including those on the honor roll -- are worth your time and effort. Thanks for reading.

Honor Roll: A Prayer Before Dawn, Border, Widows, Halloween, I Think We're Alone Now, The House That Jack Built, BlackkKlansman, The Death of Stalin, Black Panther, Cam, Leave No Trace, Wildlife, The Sisters Brothers, Mid90s, Thoroughbreds, A Quiet Place, Unfriended: Dark Web, The Legacy of Whitetail Deer Hunter, The Captain, Clara's Ghost, The Devil's Doorway, Nico 1988, Ready Player One, Cold War, Shoplifters, The Mule

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Best Cocktail

First Reformed

Paul Schrader may be single-handedly more prepared than any other director for the coming apocalypse, as his John the Baptist act has reached an artistic zenith in First Reformed, a thriller about an alcoholic priest (Ethan Hawke) suffering through crises both physical and metaphysical as his faith in humanity begins to dwindle. It’s, of course, an exquisite character piece for Hawke, who will rightfully win oodles of awards for his work here, and it’s Schrader’s first masterpiece since Mishima, though that may not be entirely his fault, given that it’s the most free of his recent films from outside interference. It was also the recipient of one of the most infamous marketing stunts ever to be attempted by A24, the film’s distributor, in which they asked viewers to prepare themselves the apocalyptic cocktail Hawke drinks in the film — one part bourbon, two parts Pepto Bismol — and film themselves drinking it. They’d win a sweater for their troubles. That combination, which aims to sooth the priest’s spiritual pain without upsetting his cancer-ridden stomach, does a better job describing the film’s tone and taste than I think anybody has given it credit for.

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