Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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King Tuff, ‘Psycho Star’: February 6

King Tuff welcomes you back to his psych-pop groove on ‘Psycho Star’

Last week we scored a new jam from King Tuff, a calm and rather atmospheric track that felt like a mood- and table-setter for some natural psych-pop goodness to come. Today (February 6), we get it blaring across the AM dial in our digital heads in the form of “Psycho Star,” a tripped-out, sing-it-from-the-back groove slinger that’s the latest off the Vermont-born project’s upcoming album The Other.

Sub Pop’s The Other was self-produced by King Tuff himself, Kyle Thomas, its collaborators include Ty Segall, Jenny Lewis, and Springtime Carnivore’s Greta Morgan. “I let the songs lead me where they wanted to go, instead of trying to push them into a certain zone,” Thomas says, via CoS. “King Tuff was always just supposed to be me. When I started doing this as a teenager, it was whatever I wanted it to be. King Tuff was never supposed to be just one thing. It was supposed to be everything.”

— Michael Marotta

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