Year In ReView: A collection of Vanyaland’s favorite tracks of 2018

The year 2018 can, will, and should be defined by many things. But for us here at Vanyaland, it was the year of the song. 2018 was a fantastic year for music, singles in particular -- short bursts of sonic brilliance that hit like a fist and lingered like a kiss, all in line with our ever-dwindling attention spans. Over the past 12 months Vanyaland Editor-in-Chief Michael Marotta and Assistant News Editor Victoria Wasylak documented all these brilliant songs as they hit each day in their New Sounds and Fast Tracked columns, daily hype pieces presenting what, in our opinions, were the best tracks of that particular day. Below is a collection of those columns from Marotta and Wasylak, as they were written that very day, shaping the sound of Vanyaland as one based deeply in alt-pop, but extending out to reflect not only Boston's diverse music scene, but the varied tones around the world that made the year so great. This collection is likely different than the other Best of 2018 lists floating around the internet, and that's by design -- here at Vanyaland, nothing trumps our genuine interest in a song we love and admire.

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CHVRCHES, ‘Get Out’: January 31

CHVRCHES storm back with ‘Get Out’

Scottish electronic-pop trio CHVRCHES are back with their first new single in two years. The anthemic track, which finds the group as confident as ever, is titled “Get Out,” and it was produced by 2017 and 2018 GRAMMY Producer of the Year Greg Kurstin. “Working with Greg was so different to what we’d done before, but it also felt so comfortable and like he’d been in our band forever,” the band state in a press release. “He doesn’t try to make you write a certain kind of song. He just listens and then Jedi puppet masters the best work out of you. The opening synth riff of ‘Get Out’ was the first thing to emerge on our first day in the studio with him.” “Get Out” is classic CHVRCHES, and bodes well for their forthcoming third album. It feels like 2018 has finally arrived.

— Michael Marotta

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